Watch former Boston Globe critic Richard Dyer discuss Alessandro Deljavan.
ABOUT THE PROGRAM
Everything we do at the Boston Philharmonic is aimed at giving our patrons spellbinding and unrepeatable experiences of great music. Our recipe varies from program to program, but it usually involves a mix of the familiar and the yet-to-be-discovered. You can count on hearing soloists with whom I have established a special connection. And in many cases, they are artists who are entirely unknown to Boston audiences.
A friend recently insisted that I listen to Alessandro Deljavan, a pianist of Persian and Italian extraction living in Italy. After spending hours listening to the 24 (!) CD’s he sent—ranging from Scarlatti to Scriabin to the complete piano music of Reynaldo Hahn, each rendered with tremendous artistry—
I knew I had to bring this remarkable musician to Boston. But what concerto from his vast repertoire should we perform? I felt mastery such as his called for the king of piano concertos, the Brahms Second, which demands profound musicianship, power, command, free spirit, warmth, and poetry.
These are the same qualities required to perform Bartok’s ultimate test of virtuosity, the Concerto for Orchestra. Brahms and Bartok, though vastly different make wonderful companions on a concert program. And both are works very close to my heart. The evening begins with the enchanting overture to that most enchanting of Mozart operas, The Magic Flute. -Benjamin Zander
Read more about the season
Read in the Boston Musical Intelligencer: BPO Introduces Italian Pianist in BPC2 by Richard Dyer
Wolfgang Amadeus Mozart Overture to The Magic Flute -7 minutes
Johannes Brahms Piano Concerto No. 2 -46 minutes
Béla Bartók Concerto for Orchestra -36 minutes
All dates, repertoire, venues, and artists subject to change.